A multimodal composition combines more than one mode, such as image, sound, movement, or written word, into a single work where each mode does part of the job. The modes have to be combined on purpose. The meaning has to come from how they work together, not from any one part sitting alone. A song by itself carries feeling through melody and voice. A drawing by itself carries feeling through line and colour. Put music under a moving image and time the two together, and something new appears that neither one made alone.
Creators build multimodal work by deciding, moment by moment, which mode carries which part of the meaning. Music carries emotion faster than a caption can explain it. A close, still image holds a viewer's attention on one detail while a voice moves the story forward. Motion changes how fast a moment feels in a way sound and image alone cannot manage. A creator working across modes decides where each mode carries the weight and where two modes overlap on purpose to build something neither one carries by itself.
In 2016, musician Gord Downie wrote and recorded Secret Path, ten songs telling the story of Chanie Wenjack, a twelve-year-old Anishinaabe boy from Marten Falls First Nation who died in 1966 trying to walk home after escaping a residential school. Cartoonist Jeff Lemire illustrated Chanie's story, and animator Justin Stephenson brought Lemire's drawings to life in an animated film built around Downie's songs. In the film, a single frame can hold still while Downie's voice carries the weight of a line, then cut to motion the instant the story needs urgency. The stillness lets you sit with what you just heard. The motion pulls you forward before you can look away. That shift comes only from combining the two modes together.
Watch for this kind of decision as you watch Secret Path. Notice where the film holds an image still and lets the music carry the moment, and where it uses movement instead. Ask yourself what changes about how the scene feels when it makes that choice.